The Guardian Culture
With its screams, sex, bells and bloodshed Puccini’s opera was initially derided as a noisy disaster. Ahead of Glyndebourne’s first ever production, we look the ‘shabby little shocker’ that’s become one of opera’s most bankable masterpiecesGustav Mahler hated it. Its publisher was convinced it would be a commercial disaster. Critics complained it was mostly just “noise” and predicted that it would quickly be forgotten. But more than 125 years since Tosca’s premiere in January 1900, Giacomo Pucci