The Guardian Culture
Sadler’s Wells, LondonThe late choreographer heightens Ophelia and Gertrude’s stories yet squanders some speeches in an intense hourWords, words, words. Can Hamlet retain its tragic force without using most of them? This hour-long dance-theatre remix by the late South African choreographer Dada Masilo preserves few speeches and its opening is not auspicious, crashing straight into “To be, or not to be” shorn of context and characterisation.There follows, as is customary, a meeting between the pr