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AAPL $338.98 +0.85%
MSFT $501.61 +1.59%
GOOGL $354.97 +1.55%
AMZN $258.45 +1.87%
TSLA $375.30 +3.03%
META $741.25 +11.34%
NVDA $227.38 +2.30%
JPM $352.04 +0.68%
BTC $38.25 +6.52%
ETH $26.36 +4.69%
Latest Signing ceremony for contribution agreements between WHO and France Oct 17, 2024
AAPL
$338.98
▲ 0.85%
MSFT
$501.61
▲ 1.59%
GOOGL
$354.97
▲ 1.55%
AMZN
$258.45
▲ 1.87%
TSLA
$375.30
▲ 3.03%
META
$741.25
▲ 11.34%
NVDA
$227.38
▲ 2.30%
JPM
$352.04
▲ 0.68%

Top Stories

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The Guardian Culture
Manfred Karge’s play about a woman acting as her dead husband was a cause célèbre in the 80s. It remains a bracing portrait of a divided person in a divided cultureIt was Pierre Audi, the much-mourned founder of the Almeida, who way back in 1986 sent me a coffee-stained copy of Jacke wie Hose.Manfred Karge’s one-woman play is a study of female survival in a terrifying world. Ella is a working-class woman who takes on the identity of her dead husband, Max, to endure what Brecht memorably dubbed “
entertainment  Sep 10, 2026
NY Times World
There are full-size replicas in a U.S. sports arena, an abbey in Denmark and a home in rural New Zealand. There’s even a more modest version for those who don’t like the original’s nudity.
general  Sep 10, 2026

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